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Lifework Part II

Macquarie Mural Leanne Tobin

This mural at Macquarie University, by acclaimed Darug artist Leanne Tobin, expresses Darug Eel, Goanna and other Dreamings that shape and sustain Wattamattagal Country

Last autumn, I published a short piece – ‘Lifework’ – that reflected on my ongoing journey towards more committed, responsible, meaningful and respectful forms of research. The post provoked some wonderful responses that gave me the opportunity to learn from others’ journeys towards honouring the life of the work they’re engaged in, and of the other beings with whom they learn and create.

On a recent research visit to Darug Country (Australia), on the land of the Wattamattagal/Wallumattagal[1] clan, I had the pleasure of facilitating a workshop on the theme of ‘Lifework’ with a talented group of Masters and Doctoral students from Macquarie University and the University of New South Wales. The workshop was jointly hosted by the Environmental Humanities programs at each of these universities. Special thanks to Sandie Suchet-Pearson, Kate Lloyd and Emily O’Gorman for organizing this session. This research visit was possible thanks to funds from Wilfrid Laurier University and the Independent Social Research Foundation.

During the workshop, we had the chance to share our research projects and to talk about the callings, commitments, responsibilities and aspirations that enliven our lifework, and we decided to write down our thoughts as a collective response to the ‘Lifework’ piece. Since we affirm knowledge as living, embodied and in constant motion, I am delighted to see the conversation thrive and grow.

What follows is a co-composition amongst:

Wattamattgal/Wallumattagal Country – with our gratitude to the Elders, past, present and future, who have and always will care for this land.

And, in alphabetical order:

Sophie Adams

Tasmin-Lara Dilworth

Sarah Judge

Kate Lloyd 

Patrick McEvoy

Audra Mitchell 

Harriet Narwal

Emily O’Gorman

Jo Anne Rey

Sandie Suchet-Pearson

Sabiha Yeasmin Rosy

Thomas Wicket


Communication is central to our lifework. The ways we communicate, and with whom, matter deeply. We need to refuse expected modes of communication, expressing ourselves in ways that are congruent with, and respectful of, our worlds and the worlds we work with and within.

We also need to acknowledge that language cannot be reduced to written or spoken word. Instead, it is expressed by multiple bodies, relations and places, not only in marks or sounds, but also in movement, in presence and absence, in sensations that make themselves felt through all of the senses, through dreams and Ancestral knowledge. Communicating well means attending care-fully to many kinds of beings and to all the different ways they communicate with us.

It is also important to think about the ways that we communicate with plural others. This is not simply a matter of clarity or the efficient transmission of information. On the contrary, it means interacting in ways that respect and amplify the expressions of others, rather than imposing our own perspectives. This may mean confronting familiar and encouraged patterns and habits of communication that curtail the expression of others. For instance, written English, and academic writing in particular, prioritizes nouns. Meanwhile, many of the languages (human and more-than-human) with which we work are driven by verbs or by gerunds, which are noun-verbs. Working with gerunds means recognizing the constant co-becoming of beings and worlds. Resisting the priority of nouns means rejecting the fixture of identities, ways of knowing, doing and being. This also makes it possible to open ourselves more fully to other beings, whether humans, goannas, snakes, stories or waters.

Simply being able to see or recognize – without necessarily identifying, or pinning down others – is essential to our lifework. This requires cultivating our skills in noticing and our plural registers of perception. It also means suspending, as much as possible, our expectations about every encounter.

Creativity is integral to our lifework. We recognize that all forms of creativity are co-creativity, and affirm the intention of making worlds together with plural others. Lifeworking creatively means embracing playfulness and fun, not always being serious, and making expansive room for the unexpected.

Embracing co-creativity also means working to create openness and to inhabit uncertainty with purpose. It means resisting completion, or the attempt to close the trajectories of being, doing, knowing and relating. We aim to make ourselves vulnerable to uncertainty, doubt and the openings they create within ossified systems of knowledge production. This also involves accepting complexity, including working with multiple narratives, paths and questions that do not always resolve into a single theme or category. Instead of working to simplify or reduce, we welcome the complication of our lifework by the many beings who contribute to it.

Creativity is a form of resistance and a powerful political act. It entails rejecting the reduction of our relations and interactions to simple, static models and facts. An ethos of co-creativity is oriented world-affirming and world-creating; it understands everything as expansive and incubating multiple futures.

We lifework with love. This does not only mean showing care and taking pleasures in the beings and experiences to which we are oriented and with which we are familiar. It also involves accepting and even embracing what we feel we cannot relate to. This does not mean relinquishing our critical perspectives; we resist and reject through love just as much as we embrace with it. It means that our lifework is animated by attachment and affection for the worlds in which we are embedded.

Trust is essential to our lifework, but it cannot be demanded or taken for granted. We need to understand the risks and privileges that come with trusting, being trusted and being able to trust – or the inability to do these things. The risks surrounding trust differ between different beings – amongst humans, between humans and other beings, and between other beings. Becoming sensitive to the risks of trust is fundamental to life-working respectfully. At the same time, we need to recognize that not trusting others is a privilege not available to everyone as a result of structures of oppression and dependency that generate radically unequal relations. Building trust in our work means recognizing its nuances, its inequalities and the forms of power that shape it for different beings entering into co-creative relations.

We oppose violent totalisms. In particular, our work confronts the unwillingness to share space that has become integral to Western political and economic logics. In some cases, these logics take concrete, large-scale forms such as genocide, white supremacism and settler colonialism. Although our projects differ and do not all focus directly on these subjects, our ways of working contest the logics of power and stuctures that generate them.

We also contest and seek to dismantle acts of hatred against beings other than humans, including hate campaigns against particular beings (for instance, ibis, bell birds, flying foxes, magpies, foxes and lantana). We are acutely aware of discourses on ‘invasive species’ and the very real effects of the movement of beings across worlds. However, instead of mobilizing hate towards these beings, we seek to direct attention towards the conditions in which they have been displaced, and the conditions of their co-existence. Many of these beings are defined as ‘nuisances’, ‘vermin’ or ‘weeds’ by dominant settler colonial cultures because they fail to fit within instrumental logics of usefulness. Instead, we affirm their powerful efforts to survive across multiple times and spaces, and the respect this demands. In some cases, these beings even help to protect and nourish worlds. For instance, although it is considered an ‘invasive weed’ in Australia, the lantana also provides critical habitat for small woodland birds that would otherwise be threatened by habitat loss and cat predation. We affirm and respect the conviction that Country should decide whom and what flourishes with/in it, and which relations are possible.

Our lifework comes with the responsibility to recognize, call out and dismantle structures of violence. We feel powerful obligations to deconstruct dominant forms of authority that make claims to universality. At the same time, we are inspired by and learning from multiple other forms of authority, knowledge, wisdom, law and guidance.

A crucial part of this process is to reflect on the power and possibilities that come with being researchers. We need to pay close attention to the acts of amplification and erasure that our framings, theories and questions enact. In addition, we need to be aware that we must often go to meet others – in their worlds, their country, their knowledge systems – instead of expecting them to come to us. However, we need to go to others as invited guests, rather than entitled intruders. All of us – whether Indigenous or members of settler communities – need to reflect on how colonial violence shapes our worldviews and patterns of thought, how and whom it privileges and oppresses, and how we can combat it.

Although we are committed to critique of existing structures of dominance, we also affirm the need to emphasize the positive efforts, acts and relations that we are privileged to be part of in our lifework. More than this, we commit to strengthening, amplifying and contributing our energies towards these positive assertions of co-be(com)ing.



[1] Darug scholar and co-author Jo Rey points out that, since most clan, place and other names are transmitted orally, spellings can vary. She derives the spelling in the following way: Wallumai: Black Snapper fish; matta: place; gal: people –> Wallumattagal: Place and people of the Black Snapper Fish




This is a recording of my recent talk at the Environmental Humanities programme at the University of New South Wales, Sydney, Australia. Thanks to Thom Van Dooren and Matt Kearnes for organising.


let me be what is needed (Zoe Todd)

I’d like to start 2017 off with a post from another Creatures Collective collaborator, my wonderful friend Zoe Todd. Her thoughts articulate my own hopes for the year – especially that we can all find ways to be what is needed in the months to come.

Urbane Adventurer: Amiskwacî

IMG_1550gather up the moss
clean the corners, but not too much
leave things for comfort
of the little creatures
the other beings

sweep up dust
sneeze it towards the sun
sweep your hands across this expanse
this little nest
which you have fought so hard to build

consider, briefly
the warmth of the day
hug yourself closely
gather up the threads
the dropped change

clean up the piles
of books and half-finished poems

prepare because you worry
that this little nest
this little place you fought so hard to build
you worry it will need to be

or maybe not soon but soon enough
but you hope
that in your fallibility
your failures
your petty anger
your expansive rage

you hope that if loved ones and strangers
must flee unspeakable things
you hope you can provide comfort
this nest
this sanctuary

you consider that
you refuse hardening

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Refusing the Anthropocene (Noah Theriault)

This powerful post by Creatures’ Collective member Noah Theriault crystallises the need for loving modes of refusal in today’s violent political climate. 

Lately I’ve been thinking a lot about refusal and resistance.  What is the difference between them?  And what implications does this distinction have for individual and collective action?  In part,…

Source: Refusing the Anthropocene

Ignoring Extinction/Refusing Global Politics


This is a full recording of a talk I gave at the New School for Social Research in New York on 27 October, 2016, including perceptive and generous comments by Rafi Youatt. It was part of a workshop entitled “Global Politics Without Ignorance” organised by Anne McNevin, Erdinc Erdem and others at the New School. The workshop focused on different understandings of knowledge and ignorance within global politics, drawing on critical race theory and embracing a wide variety of approaches, including decolonial and posthumanist thought.

A couple of notes. First, whenever I use the terms ‘human’ or ‘humanity’ (or emphasise something weirdly), assume I’m doing air quotes. Second, I refer to a few others in the room by first name only – they are: Anne (McNevin), Rafi (Youatt), Patrick (Jackson) and Zuleika (Arashiro). Because I can’t include embedded quotes in audio form, I’d like to cite the sources of a couple of things I mention. My discussion of refusals by plants is drawn largely from the work of Wendy Makoons Geniusz and Robin Wall Kimmerer; while the discussion of the Sedna and the withdrawal of animals is drawn from the work of Tim Leduc . I also want to thank the Creatures’ Collective for inspiring and co-incubating many of the ideas discussed here.

The imagery in the background is called ‘Transversals’ and was produced during the workshop as I began thinking through this alternative to ‘(the) global’ or ‘universals’ (more on this to follow…)


Over the last year or so, it’s been my privilege to help convene a wonderful collective of scholars, writers, thinkers and knowledge-keepers – the Creatures Collective. We are a group of Indigenous and non-Indigenous scholars (I am amongst the latter) who are working together and as part of broader collectives, families and relations to contest dominant narratives of the global extinction crisis. Our conversations center plural forms of Indigenous knowledge and we strive to approach our work as a lived, experiential ethics – what Creature Noah Theriault has called ‘more-than-research’. This approach seeks not only to understand the protocols, laws and bonds broken by ‘extinction’, but also actively to help remake them. This is not only research – it aspires to be a lived, committed, embodied form of work.

I have felt disconnected from this kind of work for most of my career. Finishing my PhD as the global financial crisis ramped up, I entered a UK academic job market in which staying afloat meant producing large numbers of quantifiable, ranked outputs and generating constant flows of grant money (or at least applications). Achievements were not experienced so much as measured, assessed and compiled, calculated into averages and translated into floating numerical indicators of ‘excellence’. Conventions of value and prestige consigned entire categories of publication and modes of working to worthlessness. For instance, a colleague was told that many of her early publications were ‘CV pollution’. Working weekends and late into the night were so normalized that it was considered self-indulgent to take them off. Even if the actual expectations for outputs were not outrageous, I felt enveloped by the pressure to maintain whatever level of productivity I’d reached, constantly attempting to overshoot in the hopes of making some space to catch my breath. Of course, as soon as I did, new demands consumed my hard-hoarded time. As I ‘progressed in my career’, I watched my PhD students racing to publish at an even faster rate than I had found necessary, barely taking the time to settle into their projects before being consumed in frantic job-market strategizing.

This logic and lifestyle were not exactly difficult for me to internalize. If anything, I adapted to them them with an unhealthy degree of compliance. But doing so had deep implications for how work felt. The grating anxiety of quantification formed a thick callous, separating me from my work. I entered a kind of dissociative state in which the work I was doing passed through me without making much of an impression. The time or energy I felt I had available to commit to a piece of work was limited: as soon as a book or article was published, it dropped out of my circle of concern. I became prolific and promiscuous with projects, jumping from one to the next, phasing each one to match the machinery of deadlines, publication gaps and reviewing backups to ensure a constant feed of outputs. What this actually fed was my anxiety: any gaps in the assembly line became signals of failure. Getting promoted and achieving other ‘milestones’ didn’t remove the deadening buzz of pressurized momentum – if anything, they amplified it.

My experience is hardly unique: the culture of constant anxiety, strain, workaholism and wildly inflating expectations is the norm in neo-liberal universities. How are academics expected to deal with this? Well, we are encouraged to develop something called a ‘work/life balance’. At first glance, this sounds like a good idea: earmarking some time free from constant performance surveillance and production mania. But in reality, ‘work/life balance’ is a tool of neoliberal resilience – it encourages small periods of rest in order to sustain high levels of productivity. More than this, it installs a dichotomy between work and life that is harmful to both. It is not simply that ‘work/life’ balance frames ‘life’ as fragments of excess or waste – what is left over after work (if that ‘after’ ever arrives). Just as alarming is the fact that work is opposed to life – it becomes lifeless.

Collaborating with the Creatures Collective has brought me to a different understanding that I will call lifework (centring life, and opposed to the harsh severance of work/life or the disjointing of work-life). Within this group, we talk about work as ethics, as the embodied fulfillment of responsibilities, as relation-weaving and worldmaking. Work is lived, and work has life – one lives, and lives with, one’s work as one lives with other beings. This absolutely does not mean that formal, professional ‘work’ should be allowed to bleed into every aspect of one’s daily life. There are always aspects of working in a modern Western institution that produce abstraction and disconnection, and need to be strictly limited. It also does not mean shirking the duty to publish, write grant proposals or ‘produce’ in those conventional senses. It is still possible to operate in these worlds and to honour many of the demands that they make. Lifework is vigorous, creative and highly generative of a wide range of ‘outcomes’- but production is part of the life of the work, and not an end in itself. It involves recognizing the life (one’s ‘own’ and that of others) put into one’s work, being present in that work and in those lives. Lifework recognizes that work produces beings that affect worlds around them, deserve respect, and command care.

Photo Aug 25, 09 52 55.jpg

Some members of the Creatures Collective co-writing. Clockwise from right: Zoe Todd, Erik Mandawe, June Rubis, Noah Theriault, Audra Mitchell. Other member of the collective include Sarah Wright, Tim Leduc, Vanessa Watts and Genese Sodikoff.

Here are a few of the things I’ve learned and principles I’m trying to live up to since working as part of this collective. Because we are a collective, these ideas are ours and not ‘mine’ – but I would not claim to speak for the group as a whole. Instead, I would say that these ideas are inspired and fostered by our collaborative work and relations.  These ideas are also deeply influenced by Indigenous research methods, and by the approaches of Indigenous scholar-friends, but they are not, strictly speaking, Indigenous methods. Instead, they are reflections about the lifework I’m engaging in with others, and how I’m learning to care for it:

Lifework is a responsibility. By virtue of being who and what I am, on this land and planet, as a being that harms other beings in my existence and actions, I have responsibilities to them. The work I do should clarify these responsibilities and help me to live up to them.

Lifework is a commitment that goes far beyond production. I need to make the commitment to every piece of work I do, with all that entails: obligation, care, humility and patience. Regardless of pressures, norms or incentives, I should not begin any piece of work that I am not willing to commit to care for in this way.

Knowledge, ideas, wisdom, creativity and inspiration are gifts. I work with them, but they are not mine in a proprietary way: they are always given, and maintained, by plural others. I need to recognize and receive them as gifts, and wherever it is possible, to reciprocate. I also need to understand lifework in the form of gifts. This does not mean assuming that my work is so excellent that I consider it a ‘gift to the world’. On the contrary, it means having the humility to think about how it can serve others and meet their needs, how it can be given without demanding reciprocity (which would involve exchange, not giving – see Rauna Kuokannen’s excellent work on this subject).

Lifework should not be rushed. It requires building community, living with ideas, changing one’s mind, allowing experience and relations to shape me. All of this takes time; it richens and ripens over time. Lifework needs to be lived with.

Putting something into words – especially shared words – has power and impact, no matter how small or indirect. It may be necessary to wait patiently until I can speak or write about something with integrity before I try to do so.

Just because I can master a subject, form of knowledge, or practice does not mean that I should. I need to be careful, respectful and attentive about what is ‘for me’ and what isn’t. I need to know the limits of my knowledge and place limits on what I expose, take, transport to other spheres or transform.

I need to be concerned about the lives of ideas, words and knowledge that I work with. That means that I need to think carefully about what might be done with those beings, how they might be received, interpreted, instrumentalized, abused, commodified or otherwise co-opted. This does not necessarily mean refusing to write or speak about them, but rather committing to care for them after they are put into different worlds (e.g. in print, online, or into antagonistic forms of academic discourse). It also does not reflect any fantasies of control over the lives of ideas once they leave me, or a stubborn refusal to allow them to be changed, hybridized, hacked, or remixed. Instead, it calls for a commitment to care for those ideas, to defend and protect them when needed, but also to embrace their transformations. This responsibility does not end with publication: it simply enters a new phase.

Keeping secrets, holding knowledge, is as important as disseminating it widely. The imperative to ‘mobilize’ knowledge amongst wide public audiences is a part of academic life. It can be serve a lot of worthy purposes – for instance, fulfilling one’s duties to communities and broader publics, raising awareness of important issues, helping to decolonize knowledge, and creating beneficial networks. However, it can also expose knowledge to predation, instrumentalization, (willful) misinterpretation or violation. Concepts like ‘impact’ and ‘knowledge mobilization’ suggest that knowledge is beneficial to the extent that it is made public. This suggests that all of ‘humanity’ should have a claim to particular knowledge. In fact, sometimes protecting knowledge means keeping it secret, helping to nurture modes of transmission that are closed to outsiders (and respecting this in one’s own actions). It might mean refusing to divulge information that could result in harm, or in cases in which exposure is harm in itself (Simpson 2014). Even if this means that much of the knowledge shared in co-researching is ‘off the record’, this kind of work makes important contributions to the nurturing of knowledge.

When I learn from others, I am taking something and I owe something in return – if only the necessary respect. I may not always be allowed to take what I want. There are obligations involved, permission to be asked, negotiations to be carried out. Others (human and otherwise) can always refuse, and I need to honour and learn from, rather than resent, those refusals.

Lifework must embody my ethics, not just comply with them. Of course, any action compromises my ethics (aside from, and sometimes in conflict with, codes of institutional or professional ethics) should not be part of the work I do. But beyond this negative account, the work I do should help to realize my ethical commitments in the world. My work and ways of working must be ethical acts in themselves.

If I ever find myself working on something that I find boring, repetitive or uninteresting, I should not be doing it. To work with ideas or beings that I don’t actively care about is disrespectful to those things. I should be the right person to make each argument I’m making. If I am not inspired or called by it, then I am not the right person.

Each piece of work I do takes a great deal, not only from me, but from all of the others that co-work with me: time taken away from other things, care, energy, resources, input, patience, calories, bytes, printed paper, emotion, and so on. For this reason, no project should be considered a ‘throwaway’, or a quick job (this calls to mind the recent idea of the ‘quick monograph’ now circulating in UK academia). Rushing to produce something and then abandoning it is deeply wasteful and contemptuous of the value of all of these beings that co-create it.

Sometimes lifeworking in this way means starting from scratch. No matter what I have done or achieved, if I am entering into a new place or body of knowledge, or interacting with beings who are new to me, I need to start from the ground up. There is no shame or loss of stature in this – it is a privilege to be allowed to begin again and renew as one moves through different worlds. This learning takes the time, energy and commitment of others, which all need to be respected, and should not be taken for granted or treated as an entitlement.


These are a few of the ideas I am reflecting on – and living with – as I try to move from work/life to lifework. I am not claiming that I live up to these principles  completely, or every day. Instead, they are intentions that are guiding my work, helping me to find – and hopefully to nurture – the life in and around it. I would love to hear from others who are trying to do the same.


*Note: I want to recognise that it’s relatively easy for me to write these things from the privileged position of tenure. Colleagues who do not (yet) have this security, and/or are working against structural forms of exclusion, may find it much riskier to talk about their experiences, let alone to criticise the power structures that lock so many of us into unhealthy work-lives. For that reason, I strongly believe that it falls on those of us with tenure (or equivalent job security) do everything we can to create a culture in which all of our colleagues have the time and space to take care of themselves and others. This not only means trying to achieve wellness, kindness and reciprocity in our own lifework, and being a source of support for others, but also talking about these issues in order to make healthier ways of working acceptable in our workplaces.


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Extinction is the end – or is it?

Extinction is the total, irreversible end of a life form – or is it? The claim of irreversibility is often used to highlight the stakes of extinction, and the danger of following courses of action that one cannot repair. I’ve used this argument myself to drive home the seriousness of the global extinction crisis. But something doesn’t sit quite right with it. It is too totalizing, too final, too certain a claim to reflect the plurality and uncertainty of the turbulent Earth. What’s more, it might pre-emptively, and figurally, extinguish life forms in a way that exceeds the biological sense of extinction.

One of the major problems with dominant scientific and public understandings of extinction is that it is equated with death, either in aggregate or writ large. In the first case, extinction is understood as the biological death of every member of a species, and mass extinction as the accumulation of species deaths past a particular threshold. In the second case, extinction is understood as a scaling-up of death – that is, the metaphorical ‘death’ of species, constituted by the biological deaths of all their members.

First of all, extinction isn’t death: the two concepts are, and need to be kept, distinct. As Deborah Bird Rose has insightfully argued, extinction is the severance of processes of life and death that sustain each other, and the life forms they encompass. But what really causes problems with mainstream accounts of extinction is that they conceptualize death in Western secular terms. Within contemporary Western secular cosmologies (which I have written about extensively here), death is literally a ‘dead end’. Western secularity, in fact, has almost no place for death – it is understood as a superlative evil, an irreversible absencing and loss from which there is no return. It is this concept of death that underpins framings of extinction as the total and irreversible elimination of a life form.

By framing ‘extinct’ beings in this way, these discourses may erase evidence of the refusal of extinction – that is, creative, collective modes of survival beyond the scope of Western (secular) science. To appreciate this, we need to look beyond the hard boundaries of this cosmology.



“What if extinction isn’t really extinction?” asked my colleague Tim Leduc in one of the rich and challenging discussions that made up the first meeting of the Indigenous Visions research collective. His careful and nuanced research on Inuit and Haudenosaunee cosmologies in dialogue with Western cultures of climate change has given him an alternative perspective on this idea. Tim points out that within the Inuit Qaujimautuqangit framework, there are ample stories of the disappearance of animals. They relate to the Sedna, an indweller of the deep seas who controls all of the animals and plants, both in sea and on the land. When the Inuit break the protocols of daily life – including hunting – negotiated with the Sedna, she causes the animals on which the Inuit rely to withdraw from the land and sea. Tim’s research shares the observation of Inuit people living in Nunavat who have seen evidence of Sedna’s discontent in the decline of Arctic char and the changed behaviour of polar bears, amongst other signs. Vanessa Watts  pointed out that there are similar stories of withdrawal in the Anishinaabe tradition, also related to the breaking of laws and protocols between forms as a result of human actions. She stressed that, from this viewpoint, the animals are not extinct in the scientific sense, but have withdrawn. It is possible – although by no means guaranteed – that the restoration of protocols would enable the animals to return.

From the perspectives shared by both Tim and Vanessa, the global extinction crisis is about the breaking of laws, rules and protocols that have sustained life amongst multiple kinds of beings for millennia. In fact, it involves a  dominant group of people breaking bonds carefully nurtured and sustained by others – a feature of the colonial forms of inhabitation that are integral to global-scale ecological rupture.  This approach inverts standard accounts of extinction, which frame it as a problem of technical control and economic management, and seek to prevent Western secular notions of death. Instead, the disappearance of life forms understood as the grievous violation of an agreement, a harm to be actively and humbly mended. Such a perspective is promising for re-visioning the global extinction crisis as a crisis of global ethics.

This framing removes the reprieve of finality. In short, if one believes that extinction is irreversible, one is let of the hook when it comes to dealing with the extinct life form. Treating extinction as the breaking of a protocol places an onus on all humans – but especially those who are most responsible for driving forward this crisis – to restore, maintain and, crucially, create new multi-life-form treaties for sharing the Earth. This only becomes possible if one moves away from an understanding of extinction as an  irreversible process immune to human action. This assumption is upheld by homogenous ideas of human action that focus on instrumental control rather than reciprocity and negotiation.

The idea that extinction is total also erases the traces and presences of the extinct within the extant. For instance, by treating a life form as ‘extinct’, these discourses ignore their persistence in human communities – whether in the collective imagination or the names of clans. I (and the other members of the collective) are also not sure what happens to animals that occupy v spirit worlds once they are extinct in biological terms. This is a question that we’ll have to explore with the help of the elders and knowledge-keepers with whom we’ll be working.

A total and irreversible concept of extinction also obscures genetic legacies, which forge living links between the extant and extinct. As Nigel Clark has pointed out, all currently existing life is indebted to forms of life that went before, to their striving and collective efforts of survival that enabled evolution. This relationship continues not only in the form of DNA and shared histories that transgress the boundaries of species, but also (to name just a few) in morphology, histories of habitation and migration and instinct transmitted and transformed through evolution. To adopt, as Clark encourages, gratitude towards these beings is to acknowledge the impossibility of total extinction.

As long as the concept of extinction refers to total and irreversible elimination, it erases these, and many other, acts of survival and of the refusal to go extinct. Critics might argue that this line of thought undercuts the seriousness of the problem and might create a moral hazard. That is, if we don’t understand extinction as total and irreversible, will it not give license to those driving the crisis to continue with business as usual? This is not at all the argument I’m making. On the contrary, what this approach suggests is the need for careful attention to the securitizing, totalizing, dichotomizing language of Western secular science, which draws as sharp boundaries between ‘extinct’ and ‘extinct’ as it does between ‘living’ and ‘dead’. This approach can erase powerful acts and processes of continuity, of the transversal of these boundaries, of presencing against the accumulation of mass absence described by experts on extinction. Crucially, this presencing may not be visible or sensible, at least not in the frame of Western secular science. It may take the form of hiding or withdrawal, and it makes no promises of reversal, but always holds open the possibility – and the imperative – of the renewal of broken bonds.

Will the extinct return if those bonds are mended? This cannot be predicted, and the renewal of bonds shouldn’t be undertaken in such a conditional way. This is akin to techno-scientific attempts to evade Western secular death by forcing the extinct back into being, whether through coercive breeding, de-extinction or mourning. From the perspective I’ve sketched out here, these strategies add insult to injury: they respond to the violence of broken protocols by coercing life forms into the sphere of bio-political control.

And the ‘return’ of large numbers of life forms is not always the sign of a repaired bond. Indeed, Tim and Vanessa both spoke about stories within the Anishinaabe tradition of the return of large raptors, other birds and animals as a sign of major, perhaps catastrophic change. Since I moved to southern Ontario in late 2015, I have seen these kinds of phenomena: groups of as many as 20 or 30 red-tail hawks circling together as they moved north; and the gathering of what I am told is nearly 30 000 crows in a local park every evening (see the short film posted above).

We need to pay attention to these forms of presencing, whether they are warnings of disaster or the sign of slowly repairing bonds. Moving away from an understanding of extinction as large-scale death, as total and irreversible, takes away the easy option of consigning the extinct to oblivion. Instead, it calls for the hard work of confessing and addressing broken protocols, and working to create new ones, with no guarantee of a return, and no relief from responsibility.

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