Category Archives: posthumanism

A politics of worlds – ‘Planet Politics’ forum

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Below is my short response to the question “Can world politics save planet earth?’, published in a forum on the Planet Politics Manifesto hosted on Professor Joseph Camilleri’s website. You can read the full forum, including responses from Tony Burke,  Shannon Brincat, Joseph Camilleri Olaf Corry, Cara Dagger, Stefanie Fishel, Cameron Harrington, Patrick Thaddeus Jackson, Daniel Levine, Stephen Muecke, Simon Nicholson, Margi Prideaux and Aubrey Morgan Yee. Thanks to everyone involved for organising the forum!

Instead of trying to save ‘the’ world, we need a politics of worlds, plural

Earth, and the multiple, distinct worlds, it sustains, are performing a powerful critique of International Relations (IR, along with many other fields) by refusing to conform to the categories, predictions and methods of analysis that it offers. The phenomena mentioned in the introduction – global warming, global patterns of extinction, polar melting and more – are embodiments of this critique, and IR scholars (amongst others) need to attend to them. However, this is not the revolt of ‘the’ earth against ‘human activity’ in general. Instead, these phenomena reflect the responses and conditions of plural, distinct worlds sustained on and by earth to particular, deeply destructive modes of organization and relations. Burke asks how a ‘different kind of world order’ can be imagined and created. From my perspective, the challenge is to become receptive to the existence and expressions of plural worlds. In our original argument, the authors of the ‘Planet Politics Manifesto’ wrote about the irruption of a ‘planetary real’ that is shattering the abstract structures of International Relations, both in theory and practice. I would argue that there is not one ‘real’, and it is not the expression of ‘a’ planet. Instead, what the Manifesto points to is the force-fulness of worlds, which extends far beyond the status of mere background conditions or material substrates for ‘human’ action. In trans-forming, colliding, merging, co-existing and being extinguished, these multiple worlds each express their own ‘reals’. If there is friction between the forces of reality and the abstractions of IR, it is the expression of the plurality of these worlds as they are traversed by the totalizing, homogenizing forms of worlding associated with the formation of ‘the globe’ as a sphere of action.

From this perspective, addressing the crises of today involves not simply formulating a new way of knowing ‘the’ world, but rather becoming sensitive to other worlds. My own research is pluriversal in its grounding and normative commitments. Engaging with Indigenous knowledges and cosmo-visions from across Turtle Island, Australia, Hawai’i, southeast Asia and other distinct places, it seeks to understand the transversal structures that engender global patterns of extinction. As such, it requires attunement to the various worlds that are disrupted or destroyed by Western forms of worlding that seek to elide earth with an enclosed globe. I am concerned that some of the proposed approaches to narratives of planetary crisis reinforce this impulse. For instance, the ‘planetary systems’ framework discussed in the Manifesto offers a vision very different from those embraced by traditional IR; yet it reproduces the idea that there is one, unified planet and that any single worldview can reflect it. Similarly, the concept of the ‘Anthropocene’, in its attempt to gain critical purchase on global crises, ironically encloses earth within the homogenizing envelope of ‘human’ activities, erasing the specificity of the relations and modes of organization that it encompasses. Instead of imagining ‘another’ world, I argue for a politics and ethos of co-existence that honours, expresses, protects and nurtures the plurality of worlds.

Postscript:

I am often asked to define the term ‘worlds’. I am happy to do so, or at least to give an account of how I deploy the term in my own work. For me, ‘worlds’ refers to plural constellations of beings that co-constitute one another and, in so doing, create and sustain the conditions for their collective existence.

However, I find it interesting that I’m so frequently asked to explain, and often to defend, the use of the term ‘worlds’, yet the use of the terms ‘the ​world’ or ‘world politics’ are rarely questioned.  When used in the (grammatical) singular, the term ‘world’ seems to be passively accepted as a generic, universal term that requires no further definition or justification. This is despite the fact that it carries very heavy baggage, stemming in particular from European continental philosophy. Indeed, from my perspective, and that of many of the people I collaborate with, the idea of ‘a’ world is just as idiosyncratic and non-intuitive than the idea of multiple worlds.  Alternatively,  the term ‘world’ is  allowed to retain a constructive ambiguity that enables it to take on multiple significations depending on the context and intentions of the speaker/writer. In some cases, this produces bizarre paradoxes – for instance, when quantum physicists refer to ‘the world’ (by which they mean something like a general field of existence) while arguing for the co-existence of multiple worlds.
Pluralise the term ‘world’, and many people (Westerners in particular) find it alien, unfamiliar or even somehow ‘mystical’. One way or another, they usually feel that it requires further definition, explanation or even justification. To me, this reflects the degree of discomfort that plurality generates in Western intellectual discourses. On the one hand, the defamiliarising power of the term ‘worlds’ strengthens its radical potential. On the other, it suggests that the the default universalism (and monism) of Western thought needs to be destabilised so that the mention of multiple worlds does not demand justification.
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Lifework Part II

Macquarie Mural Leanne Tobin

This mural at Macquarie University, by acclaimed Darug artist Leanne Tobin, expresses Darug Eel, Goanna and other Dreamings that shape and sustain Wattamattagal Country

Last autumn, I published a short piece – ‘Lifework’ – that reflected on my ongoing journey towards more committed, responsible, meaningful and respectful forms of research. The post provoked some wonderful responses that gave me the opportunity to learn from others’ journeys towards honouring the life of the work they’re engaged in, and of the other beings with whom they learn and create.

On a recent research visit to Darug Country (Australia), on the land of the Wattamattagal/Wallumattagal[1] clan, I had the pleasure of facilitating a workshop on the theme of ‘Lifework’ with a talented group of Masters and Doctoral students from Macquarie University and the University of New South Wales. The workshop was jointly hosted by the Environmental Humanities programs at each of these universities. Special thanks to Sandie Suchet-Pearson, Kate Lloyd and Emily O’Gorman for organizing this session. This research visit was possible thanks to funds from Wilfrid Laurier University and the Independent Social Research Foundation.

During the workshop, we had the chance to share our research projects and to talk about the callings, commitments, responsibilities and aspirations that enliven our lifework, and we decided to write down our thoughts as a collective response to the ‘Lifework’ piece. Since we affirm knowledge as living, embodied and in constant motion, I am delighted to see the conversation thrive and grow.

What follows is a co-composition amongst:

Wattamattgal/Wallumattagal Country – with our gratitude to the Elders, past, present and future, who have and always will care for this land.

And, in alphabetical order:

Sophie Adams

Tasmin-Lara Dilworth

Sarah Judge

Kate Lloyd 

Patrick McEvoy

Audra Mitchell 

Harriet Narwal

Emily O’Gorman

Jo Anne Rey

Sandie Suchet-Pearson

Sabiha Yeasmin Rosy

Thomas Wicket

 

Communication is central to our lifework. The ways we communicate, and with whom, matter deeply. We need to refuse expected modes of communication, expressing ourselves in ways that are congruent with, and respectful of, our worlds and the worlds we work with and within.

We also need to acknowledge that language cannot be reduced to written or spoken word. Instead, it is expressed by multiple bodies, relations and places, not only in marks or sounds, but also in movement, in presence and absence, in sensations that make themselves felt through all of the senses, through dreams and Ancestral knowledge. Communicating well means attending care-fully to many kinds of beings and to all the different ways they communicate with us.

It is also important to think about the ways that we communicate with plural others. This is not simply a matter of clarity or the efficient transmission of information. On the contrary, it means interacting in ways that respect and amplify the expressions of others, rather than imposing our own perspectives. This may mean confronting familiar and encouraged patterns and habits of communication that curtail the expression of others. For instance, written English, and academic writing in particular, prioritizes nouns. Meanwhile, many of the languages (human and more-than-human) with which we work are driven by verbs or by gerunds, which are noun-verbs. Working with gerunds means recognizing the constant co-becoming of beings and worlds. Resisting the priority of nouns means rejecting the fixture of identities, ways of knowing, doing and being. This also makes it possible to open ourselves more fully to other beings, whether humans, goannas, snakes, stories or waters.

Simply being able to see or recognize – without necessarily identifying, or pinning down others – is essential to our lifework. This requires cultivating our skills in noticing and our plural registers of perception. It also means suspending, as much as possible, our expectations about every encounter.

Creativity is integral to our lifework. We recognize that all forms of creativity are co-creativity, and affirm the intention of making worlds together with plural others. Lifeworking creatively means embracing playfulness and fun, not always being serious, and making expansive room for the unexpected.

Embracing co-creativity also means working to create openness and to inhabit uncertainty with purpose. It means resisting completion, or the attempt to close the trajectories of being, doing, knowing and relating. We aim to make ourselves vulnerable to uncertainty, doubt and the openings they create within ossified systems of knowledge production. This also involves accepting complexity, including working with multiple narratives, paths and questions that do not always resolve into a single theme or category. Instead of working to simplify or reduce, we welcome the complication of our lifework by the many beings who contribute to it.

Creativity is a form of resistance and a powerful political act. It entails rejecting the reduction of our relations and interactions to simple, static models and facts. An ethos of co-creativity is oriented world-affirming and world-creating; it understands everything as expansive and incubating multiple futures.

We lifework with love. This does not only mean showing care and taking pleasures in the beings and experiences to which we are oriented and with which we are familiar. It also involves accepting and even embracing what we feel we cannot relate to. This does not mean relinquishing our critical perspectives; we resist and reject through love just as much as we embrace with it. It means that our lifework is animated by attachment and affection for the worlds in which we are embedded.

Trust is essential to our lifework, but it cannot be demanded or taken for granted. We need to understand the risks and privileges that come with trusting, being trusted and being able to trust – or the inability to do these things. The risks surrounding trust differ between different beings – amongst humans, between humans and other beings, and between other beings. Becoming sensitive to the risks of trust is fundamental to life-working respectfully. At the same time, we need to recognize that not trusting others is a privilege not available to everyone as a result of structures of oppression and dependency that generate radically unequal relations. Building trust in our work means recognizing its nuances, its inequalities and the forms of power that shape it for different beings entering into co-creative relations.

We oppose violent totalisms. In particular, our work confronts the unwillingness to share space that has become integral to Western political and economic logics. In some cases, these logics take concrete, large-scale forms such as genocide, white supremacism and settler colonialism. Although our projects differ and do not all focus directly on these subjects, our ways of working contest the logics of power and stuctures that generate them.

We also contest and seek to dismantle acts of hatred against beings other than humans, including hate campaigns against particular beings (for instance, ibis, bell birds, flying foxes, magpies, foxes and lantana). We are acutely aware of discourses on ‘invasive species’ and the very real effects of the movement of beings across worlds. However, instead of mobilizing hate towards these beings, we seek to direct attention towards the conditions in which they have been displaced, and the conditions of their co-existence. Many of these beings are defined as ‘nuisances’, ‘vermin’ or ‘weeds’ by dominant settler colonial cultures because they fail to fit within instrumental logics of usefulness. Instead, we affirm their powerful efforts to survive across multiple times and spaces, and the respect this demands. In some cases, these beings even help to protect and nourish worlds. For instance, although it is considered an ‘invasive weed’ in Australia, the lantana also provides critical habitat for small woodland birds that would otherwise be threatened by habitat loss and cat predation. We affirm and respect the conviction that Country should decide whom and what flourishes with/in it, and which relations are possible.

Our lifework comes with the responsibility to recognize, call out and dismantle structures of violence. We feel powerful obligations to deconstruct dominant forms of authority that make claims to universality. At the same time, we are inspired by and learning from multiple other forms of authority, knowledge, wisdom, law and guidance.

A crucial part of this process is to reflect on the power and possibilities that come with being researchers. We need to pay close attention to the acts of amplification and erasure that our framings, theories and questions enact. In addition, we need to be aware that we must often go to meet others – in their worlds, their country, their knowledge systems – instead of expecting them to come to us. However, we need to go to others as invited guests, rather than entitled intruders. All of us – whether Indigenous or members of settler communities – need to reflect on how colonial violence shapes our worldviews and patterns of thought, how and whom it privileges and oppresses, and how we can combat it.

Although we are committed to critique of existing structures of dominance, we also affirm the need to emphasize the positive efforts, acts and relations that we are privileged to be part of in our lifework. More than this, we commit to strengthening, amplifying and contributing our energies towards these positive assertions of co-be(com)ing.

 

 

[1] Darug scholar and co-author Jo Rey points out that, since most clan, place and other names are transmitted orally, spellings can vary. She derives the spelling in the following way: Wallumai: Black Snapper fish; matta: place; gal: people –> Wallumattagal: Place and people of the Black Snapper Fish

 


Lifework

*Please also see Lifework Part II*

Over the last year or so, it’s been my privilege to help convene a wonderful collective of scholars, writers, thinkers and knowledge-keepers – the Creatures Collective. We are a group of Indigenous and non-Indigenous scholars (I am amongst the latter) who are working together and as part of broader collectives, families and relations to contest dominant narratives of the global extinction crisis. Our conversations center plural forms of Indigenous knowledge and we strive to approach our work as a lived, experiential ethics – what Creature Noah Theriault has called ‘more-than-research’. This approach seeks not only to understand the protocols, laws and bonds broken by ‘extinction’, but also actively to help remake them. This is not only research – it aspires to be a lived, committed, embodied form of work.

I have felt disconnected from this kind of work for most of my career. Finishing my PhD as the global financial crisis ramped up, I entered a UK academic job market in which staying afloat meant producing large numbers of quantifiable, ranked outputs and generating constant flows of grant money (or at least applications). Achievements were not experienced so much as measured, assessed and compiled, calculated into averages and translated into floating numerical indicators of ‘excellence’. Conventions of value and prestige consigned entire categories of publication and modes of working to worthlessness. For instance, a colleague was told that many of her early publications were ‘CV pollution’. Working weekends and late into the night were so normalized that it was considered self-indulgent to take them off. Even if the actual expectations for outputs were not outrageous, I felt enveloped by the pressure to maintain whatever level of productivity I’d reached, constantly attempting to overshoot in the hopes of making some space to catch my breath. Of course, as soon as I did, new demands consumed my hard-hoarded time. As I ‘progressed in my career’, I watched my PhD students racing to publish at an even faster rate than I had found necessary, barely taking the time to settle into their projects before being consumed in frantic job-market strategizing.

This logic and lifestyle were not exactly difficult for me to internalize. If anything, I adapted to them them with an unhealthy degree of compliance. But doing so had deep implications for how work felt. The grating anxiety of quantification formed a thick callous, separating me from my work. I entered a kind of dissociative state in which the work I was doing passed through me without making much of an impression. The time or energy I felt I had available to commit to a piece of work was limited: as soon as a book or article was published, it dropped out of my circle of concern. I became prolific and promiscuous with projects, jumping from one to the next, phasing each one to match the machinery of deadlines, publication gaps and reviewing backups to ensure a constant feed of outputs. What this actually fed was my anxiety: any gaps in the assembly line became signals of failure. Getting promoted and achieving other ‘milestones’ didn’t remove the deadening buzz of pressurized momentum – if anything, they amplified it.

My experience is hardly unique: the culture of constant anxiety, strain, workaholism and wildly inflating expectations is the norm in neo-liberal universities. How are academics expected to deal with this? Well, we are encouraged to develop something called a ‘work/life balance’. At first glance, this sounds like a good idea: earmarking some time free from constant performance surveillance and production mania. But in reality, ‘work/life balance’ is a tool of neoliberal resilience – it encourages small periods of rest in order to sustain high levels of productivity. More than this, it installs a dichotomy between work and life that is harmful to both. It is not simply that ‘work/life’ balance frames ‘life’ as fragments of excess or waste – what is left over after work (if that ‘after’ ever arrives). Just as alarming is the fact that work is opposed to life – it becomes lifeless.

Collaborating with the Creatures Collective has brought me to a different understanding that I will call lifework (centring life, and opposed to the harsh severance of work/life or the disjointing of work-life). Within this group, we talk about work as ethics, as the embodied fulfillment of responsibilities, as relation-weaving and worldmaking. Work is lived, and work has life – one lives, and lives with, one’s work as one lives with other beings. This absolutely does not mean that formal, professional ‘work’ should be allowed to bleed into every aspect of one’s daily life. There are always aspects of working in a modern Western institution that produce abstraction and disconnection, and need to be strictly limited. It also does not mean shirking the duty to publish, write grant proposals or ‘produce’ in those conventional senses. It is still possible to operate in these worlds and to honour many of the demands that they make. Lifework is vigorous, creative and highly generative of a wide range of ‘outcomes’- but production is part of the life of the work, and not an end in itself. It involves recognizing the life (one’s ‘own’ and that of others) put into one’s work, being present in that work and in those lives. Lifework recognizes that work produces beings that affect worlds around them, deserve respect, and command care.

Photo Aug 25, 09 52 55.jpg

Some members of the Creatures Collective co-writing. Clockwise from right: Zoe Todd, Erik Mandawe, June Rubis, Noah Theriault, Audra Mitchell. Other member of the collective include Sarah Wright, Tim Leduc, Vanessa Watts and Genese Sodikoff.

Here are a few of the things I’ve learned and principles I’m trying to live up to since working as part of this collective. Because we are a collective, these ideas are ours and not ‘mine’ – but I would not claim to speak for the group as a whole. Instead, I would say that these ideas are inspired and fostered by our collaborative work and relations.  These ideas are also deeply influenced by Indigenous research methods, and by the approaches of Indigenous scholar-friends, but they are not, strictly speaking, Indigenous methods. Instead, they are reflections about the lifework I’m engaging in with others, and how I’m learning to care for it:

Lifework is a responsibility. By virtue of being who and what I am, on this land and planet, as a being that harms other beings in my existence and actions, I have responsibilities to them. The work I do should clarify these responsibilities and help me to live up to them.

Lifework is a commitment that goes far beyond production. I need to make the commitment to every piece of work I do, with all that entails: obligation, care, humility and patience. Regardless of pressures, norms or incentives, I should not begin any piece of work that I am not willing to commit to care for in this way.

Knowledge, ideas, wisdom, creativity and inspiration are gifts. I work with them, but they are not mine in a proprietary way: they are always given, and maintained, by plural others. I need to recognize and receive them as gifts, and wherever it is possible, to reciprocate. I also need to understand lifework in the form of gifts. This does not mean assuming that my work is so excellent that I consider it a ‘gift to the world’. On the contrary, it means having the humility to think about how it can serve others and meet their needs, how it can be given without demanding reciprocity (which would involve exchange, not giving – see Rauna Kuokannen’s excellent work on this subject).

Lifework should not be rushed. It requires building community, living with ideas, changing one’s mind, allowing experience and relations to shape me. All of this takes time; it richens and ripens over time. Lifework needs to be lived with.

Putting something into words – especially shared words – has power and impact, no matter how small or indirect. It may be necessary to wait patiently until I can speak or write about something with integrity before I try to do so.

Just because I can master a subject, form of knowledge, or practice does not mean that I should. I need to be careful, respectful and attentive about what is ‘for me’ and what isn’t. I need to know the limits of my knowledge and place limits on what I expose, take, transport to other spheres or transform.

I need to be concerned about the lives of ideas, words and knowledge that I work with. That means that I need to think carefully about what might be done with those beings, how they might be received, interpreted, instrumentalized, abused, commodified or otherwise co-opted. This does not necessarily mean refusing to write or speak about them, but rather committing to care for them after they are put into different worlds (e.g. in print, online, or into antagonistic forms of academic discourse). It also does not reflect any fantasies of control over the lives of ideas once they leave me, or a stubborn refusal to allow them to be changed, hybridized, hacked, or remixed. Instead, it calls for a commitment to care for those ideas, to defend and protect them when needed, but also to embrace their transformations. This responsibility does not end with publication: it simply enters a new phase.

Keeping secrets, holding knowledge, is as important as disseminating it widely. The imperative to ‘mobilize’ knowledge amongst wide public audiences is a part of academic life. It can be serve a lot of worthy purposes – for instance, fulfilling one’s duties to communities and broader publics, raising awareness of important issues, helping to decolonize knowledge, and creating beneficial networks. However, it can also expose knowledge to predation, instrumentalization, (willful) misinterpretation or violation. Concepts like ‘impact’ and ‘knowledge mobilization’ suggest that knowledge is beneficial to the extent that it is made public. This suggests that all of ‘humanity’ should have a claim to particular knowledge. In fact, sometimes protecting knowledge means keeping it secret, helping to nurture modes of transmission that are closed to outsiders (and respecting this in one’s own actions). It might mean refusing to divulge information that could result in harm, or in cases in which exposure is harm in itself (Simpson 2014). Even if this means that much of the knowledge shared in co-researching is ‘off the record’, this kind of work makes important contributions to the nurturing of knowledge.

When I learn from others, I am taking something and I owe something in return – if only the necessary respect. I may not always be allowed to take what I want. There are obligations involved, permission to be asked, negotiations to be carried out. Others (human and otherwise) can always refuse, and I need to honour and learn from, rather than resent, those refusals.

Lifework must embody my ethics, not just comply with them. Of course, any action compromises my ethics (aside from, and sometimes in conflict with, codes of institutional or professional ethics) should not be part of the work I do. But beyond this negative account, the work I do should help to realize my ethical commitments in the world. My work and ways of working must be ethical acts in themselves.

If I ever find myself working on something that I find boring, repetitive or uninteresting, I should not be doing it. To work with ideas or beings that I don’t actively care about is disrespectful to those things. I should be the right person to make each argument I’m making. If I am not inspired or called by it, then I am not the right person.

Each piece of work I do takes a great deal, not only from me, but from all of the others that co-work with me: time taken away from other things, care, energy, resources, input, patience, calories, bytes, printed paper, emotion, and so on. For this reason, no project should be considered a ‘throwaway’, or a quick job (this calls to mind the recent idea of the ‘quick monograph’ now circulating in UK academia). Rushing to produce something and then abandoning it is deeply wasteful and contemptuous of the value of all of these beings that co-create it.

Sometimes lifeworking in this way means starting from scratch. No matter what I have done or achieved, if I am entering into a new place or body of knowledge, or interacting with beings who are new to me, I need to start from the ground up. There is no shame or loss of stature in this – it is a privilege to be allowed to begin again and renew as one moves through different worlds. This learning takes the time, energy and commitment of others, which all need to be respected, and should not be taken for granted or treated as an entitlement.

 

These are a few of the ideas I am reflecting on – and living with – as I try to move from work/life to lifework. I am not claiming that I live up to these principles  completely, or every day. Instead, they are intentions that are guiding my work, helping me to find – and hopefully to nurture – the life in and around it. I would love to hear from others who are trying to do the same.

 

*Note: I want to recognise that it’s relatively easy for me to write these things from the privileged position of tenure. Colleagues who do not (yet) have this security, and/or are working against structural forms of exclusion, may find it much riskier to talk about their experiences, let alone to criticise the power structures that lock so many of us into unhealthy work-lives. For that reason, I strongly believe that it falls on those of us with tenure (or equivalent job security) do everything we can to create a culture in which all of our colleagues have the time and space to take care of themselves and others. This not only means trying to achieve wellness, kindness and reciprocity in our own lifework, and being a source of support for others, but also talking about these issues in order to make healthier ways of working acceptable in our workplaces.

 

 

 

 

 


Indigenous Visions of the Global Extinction Crisis

 

Eco fragments 6On Wednesday, 1 June, I am honoured to host some of the most fascinating  scholars working at the intersection of Indigenous philosophy and ecological crisis, both here in Canada and around the world, at the event Indigenous Visions of the Global Extinction Crisis . If you happen to be in the Waterloo area, please join us  for the opening event, which will include Haudenosaunee remembrance and condolence ceremonies, a talking circle featuring workshop participants and all attendees, songs from the Waterloo Aboriginal Students Association  and an art exhibition/ spoken word performance featuring the work of the very talented Cara Loft and Zoe Todd . This event will mark the beginning of a collaborative project that features contributions from (in alphabetical order):  Tim Leduc, Genese Sodikoff, Makere Stewart-Harawira, Noah Theriault, Zoe Todd, Vanessa Watts and Sarah Wright (joining us on behalf of the Bawaka Country Research Collective)  Special thanks also to my colleagues at the Office of Aboriginal Initiatives at Wilfrid Laurier University (especially Jean Becker, Melissa Ireland and Kandice Baptiste) for their guidance, input and teachings. I am grateful to the gifted (and tireless) Tahnee Prior for her help in organising the event, and to the Balsillie School of International Affairs, Wilfrid Laurier University and the Independent Social Research Foundation for funding this event. 

For those of you who can’t join us in person, I’d like to share an abridged version of my opening talk for the event, to give you a sense of the community and projects we are aiming to build. Please note that the text has been edited to remove personal and/or ceremonial aspects of the event out of respect for these people and traditions. 

This workshop marks the beginning of an ongoing, collaborative project, so please get in touch if you are interested  in finding out more.

 

Thank you so much for coming today. I am honoured that you could all join us for the opening of this new project, and I look forward to learning from and with all of you over the next hours and days .I hope that this will event will mark the beginning of many rewarding relationships and new collaborations.

We’ll begin by acknowledging that we are on the traditional territory of the Neutral, Anishnawbe and Haudenosaunee peoples and offering a formal expression of gratitude to them as our hosts.

[distribution of tobacco twists to elders and invited participants]

… Before handing over to William Wordworth to begin the remembrance and condolence ceremonies, I’d like to say a few words about why we have come together for this few days of sharing, learning and envisioning.

Western science tells us that the Earth is in the midst of a global extinction crisis. The biological extinction of life forms is accelerating rapidly and across the planet as a result of human activity. We are warned that this may be the beginning of a ‘6th mass extinction’ in which most existing life forms may be eliminated in a few centuries.

Yet there is little discussion of what ‘extinction’ means – it is simply assumed to mean the death of ‘every member of a species’. There are so many problems with this definition: not least the Linnaean mode of classification that has given us the concept of species or the more recent construct of ‘biodiversity’, both of which exclude myriad forms of life and relations and draw sharp boundaries between ‘living’ and ‘dead’ that confound the basic principles of so many living cosmologies.

Even the concept of extinction as the irreversible elimination of a life form effaces the ways in which relations ‘extinct’ life forms may continue through relations with the spirit world, through genetic entanglement, and through lived histories that extend across the imposed boundaries of ‘species’.

Crucially, all of these concepts embed deeply colonial ideas of ‘nature’ and human relations with it – from the early roots of conservation in the creation of national parks and the violent eviction of their human inhabitants, to contemporary forms of hyper-capitalist conservation in which ‘species’ and ‘ecosystems’ are traded, offset and financialized as commodities, severing relations of kinship and care.

These concepts furnished by Western secular science cannot capture the enormity of the global extinction crisis – and they mask the violent erasures that they create, including the crowding out of alternative accounts and ways of being-knowing.

Talking to colleagues and friends from different Indigenous communities, I’ve learned how loaded the term ‘extinction’ can be: it evokes colonial beliefs that Indigenous peoples are ‘extinct’, or headed for extinction. I can’t think of a less appropriate way to describe communities whose powerful, collaborative acts of survivance in the face of waves of crisis and violence epitomises the vibrancy of life and strength.

So, we need new terms, concepts and frameworks, but also stories, songs, images, dances, communities of intention – in a word, visions.

These visions must be expansive enough – both in timescale, geographical scale and the complexity they can embrace – to address the global extinction crisis (or whatever we want to call it!) They must reach back into the deep, ancestral past – and far forward into plural possible futures, while remaining grounded in the everyday experiences of multi-species communities in which we are all, differently, enmeshed. They must address the entangled vulnerabilities of Earthly life, rejecting sharp distinctions between humans and nature, living and dead, tradition and modernity.

What better place to look than the rich, vibrant multitude of living Indigenous philosophies and cosmologies?These cosmologies have survived, adapted and nurtured plural life-forms across millennia, negotiating and fostering life in the face of crisis. Indeed, for many Indigenous peoples, the apocalypse has already happened, with the advent of European colonisation. For several centuries, they have been responding, adapting and creating in the face of violence, rupture and destruction – not least the expropriation of their ancestral lands and the severance of their fundamental relations with specific places and beings.

This workshop builds on the intuition that Indigenous philosophy and cosmology can offer radically different approaches to understanding the global extinction crisis. It rejects the Cartesian, rationalist logic of classification and scientific management, instead embracing plural understandings of how humans and other beings form, sustain and care for multiple worlds here on Earth.

While ‘Traditional Ecological Knowledge’ – localizes Indigenous knowledge,  Indigenous philosophies and cosmologies have much to offer in terms of wrestling with the global nature of this crisis, and should not be parochialized against the backdrop of apparently ‘universal’ Western scientific and governance perspectives. I certainly do not want to downplay the importance of connection to specific places and beings, but rather to explore the global significance of contemporary, living Indigenous thought. As Vine Deloria Jr and Rauna Kuokannen (amongst others) have argued, Indigenous knowledge tends to be instrumentalized, treated a source of empirical material that can be used to substantiate the claims of Western science and policy-making. Yet diverse bodies of Indigenous knowledge offer profoundly distinct cosmologies, frameworks, philosophies and spiritualities that are also abstract and transcendent, while remaining grounded in place and concrete experience. Moreover, the idea of ‘traditional’ knowledge imposes a linear, progressivist view of time which parcels it out neatly into past, present and future – and relegates Indigenous thought to the past. Instead, embrace multiple temporalities and are energised by Indigenous visions of multiple possible futures.

Our goal in this project is to engage a wide range of forms of Indigenous knowledge in order to identify resonances amongst them – NOT to find one universal, over-arching theory. In so doing, we hope to generate new insights and visions for apprehending the multiple dimensions of the global extinction crisis, decolonizing the structures of knowledge that dominate the way it is discussed, researched and governed, and cultivate creative, visionary responses to it.

Art exhibition

The following images are from the exhibition “Cultural Projections” by Cara Loft. Cara is Aboriginal Recruitment and Outreach Officer for the Office of Aboriginal Initiatives at Wilfrid Laurier University. She is a Mohawk Woman from wolf clan and her home community is Tyendinaga First Nation. Cara holds a BA in Health Sciences and a postgraduate degree in International Development, with a focus on community development in First Nations communities in Ontario. She is an avid beader, a women’s traditional dancer and hand drummer. Cara is  passionate about supporting aboriginal youth in Canada in all capacities possible, and her current work focuses on  bolstering education, leadership & cultural pride. “Cultural Projections” highlights Cara’s experiences travelling through Aboriginal communities in Northern Ontario, with a focus on pathways and passages. 

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Attawapiskat Catholic Church by Cara Loft. All rights reserved.

52.9259° N, 82.4289° W

Attawapiskat First Nation lies on the western side of James Bay. It is an isolated Cree community with a population of 1,549. Each December a Winter Road is constructed to connect the remote communities of Moosonee, Kashechewan, Fort Albany and Attawapiskat. Attawapiskat being the most northern and remote stop on the James Bay Winter Road. When driving on the Winter Road, the first view you see on the way into Attawapiskat in the Catholic Church sitting high on the hill top. This serves as a reminder of the colonization that took hold of the ‘People of the Parting Stone’ and continues to grip this community. This is reflected in the flagrant natural resources extraction from the open pit Victor Diamond Mine, located a mere 90 km from Attawapiskat.

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Beausoleil Ferry by Cara Loft. All rights reserved.

43.7418° N, 7.4230° E

Beausoliel First Nation is spread across three Indian Reserves, the one pictured here is Christian Island located in Georgian Bay. The peoples of Christian Island largely depend on the ferry system to move back and forth to the mainland; and also move supplies onto the island. Recently one of the main passenger ferries, the 57 year-old M.V. Sandy Graham, was deemed unsafe and had to have $500, 000 worth of repairs to make it usable again. The other ferry, the Indian Maiden, is also in need of repairs as well. Pictured here, we see a community member using their own barge to transport equipment to Christian Island. According to the UN Declaration on the Rights of Indigenous People’s: “Indigenous peoples have the right to the lands, territories and resources which they have traditionally owned, occupied or other-wise used or acquired.” Without access to a working ferry, the peoples of Christian Island are at risk of losing their traditional territory and way of life.

 

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Pike, Pic Mobert by Cara Loft. All rights reserved.

48.6833° N, 85.6333° W

Pic Mobert is an Anishnabeg First Nation community composed of two small reserves located along the White River in Ontario: Pic Mobert North and Pic Mobert South. These rural communities have roughly 400 band members living on reserve. One of the staple foods in this community is the fish; providing both a practical source of food and cultural connection to the land and waters. Pictured here is a pike caught through the traditional practice of netting. An oasis in North Western Ontario; Pic Mobert is still considered an impoverished reserve without the proper health, education & social resources to address the issues within their communities. Despite these gaps, the cultural connection to land and water is strong and speaks to the resiliency of these communities.

Serpent_River

Serpent River by Cara Loft. All rights reserved.

46.183°N 82.550°W

Serpent River is an Anishnabeg community located along the North Shore of Lake Huron. The traditional territory of these peoples extends from the North Channel of Lake Huron, to just past the city of Elliot Lake. In 1847, uranium was discovered near Elliot Lake prompting the Chief at the time to demand protection from mining exploitation. Thus began the era of natural resource extraction from the Serpent River territory. Today, Serpent River is a modest community of 373 on reserve band members that sits quietly on the banks of Lake Huron. Despite a history of land misuse, the natural beauty of this territory is not lost today. Pictured here are the tree’s mid-fall in Serpent River.

 

This_Is_Indian_Land_Garden River_2015

Garden River First Nation by Cara Loft. All rights reserved.

Garden River First Nation is located near Sault Ste Marie and is a largely Anishnabeg community. With roughly 1,100 band members, this community sits mainly along the St. Mary’s River and Highway 17B passes through their traditional territory. There has been dispute over Highway 17B and its passage through the Garden River Community, mainly due to the deaths of community members on this road. In April of 2016, band members from Garden River closed down highway 17B for a day to highlight the meaningless accidents and tragedies that happen along this highway. Pictured here is the old rail bridge over Garden River, and a written affirmation of who the traditional title holders and protectors of this territory are.

Fish Friday Images by Zoe Todd

Zoe Todd is a lecturer in Anthropology at Carleton University. A Métis scholar from amiskwaciwâskahikan (Edmonton), her work spans the subjects of human-fish relations, Indigenous philosophy, feminism, art, and the important role of Indigenous legal orders within the legal pluralities that shape Canada. Her series of ‘Fish Friday’ images (posted every Friday on her website and Twitter account) explore the fish stories that and creatures that have shaped her more-than-human relations web of relations. 

 

Northern Pike by Zoe Todd. All rights reserved.

Northern Pike by Zoe Todd. All rights reserved.

 

 

Image by Zoe Todd. All rights reserved.

Image by Zoe Todd. All rights reserved.

 

 

My Ideas - 7

Whitefish by Zoe Todd. All rights reserved.

 

Larry the Lamprey by Zoe Todd. All rights reserved.

Larry the Lamprey by Zoe Todd. All rights reserved.

 

Lake Trout by Zoe Todd. All rights reserved.

Lake Trout by Zoe Todd. All rights reserved.

 

Image by Zoe Todd. All rights reserved.

Eric the Walleye by Zoe Todd. All rights reserved.

 

Arctic Char by Zoe Todd. All rights reserved.

Arctic Char by Zoe Todd. All rights reserved.

 

 

My Ideas - 52

Image by Zoe Todd. All rights reserved


Spiked: violence, coloniality and the Anthropocene

This online mini-exhibition is presented in advance of the initiation of the Anthropocene Re-working Group (with Zoe Todd), which will take place at the Conference “Landbody: Indigeneity’s Radical Commitments” at the Centre for 21st Century Studies, Milwaukee, 5-7 May 2016. 

The full text of our presentation is available here: Earth violence text Mitchell and Todd

Since this is a work in progress, please let us know if you would like to reproduce it. For the same reason, all rights are reserved for the use of these images. . Contact me if you’d like to share, reproduce or alter them. 

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Strata by Audra Mitchell. All rights reserved.

 

Since the early 2000s, there has been a scramble amongst scientists to define the boundaries of the ‘Anthropocene’. In the rush to mark and claim this era, hundreds of scientists and some social scientists are racing to find a definitive ‘golden spike’. The golden spike is a discursive, imagined, yet very real placetime in which scientists intend to drive a stake, claiming the conversion of the Earth into a human dominion. Most notably, the ‘Anthropocene Working Group’ of the subcommission on Quarternary Stratigraphy is planning this year to announce where/when the spike should be driven. It will choose amongst numerous proposals, including the detonation of the first nuclear weapons, the Industrial revolution, and the beginning of large-scale agriculture.

In so doing, this group of overwhelmingly white, male scholars of the physical sciences, whose meetings are closed to the public, plan to make a claim on behalf of ‘humanity’ over the history, future and fate of the planet.

Critics of the Anthropocene are producing excellent work on the domination of scientific perspectives amongst Anthropocene discourses,on Anthropocentric narratives that magnifies human agency and entrenches the human/nature divide, and the inaccuracies of claims that ‘humans’ as a whole are responsible for the phenomena transforming the Earth. Yet there has been little focus on the role of foundational violence in the Anthropocene and the distinctively colonial violence enacted through the forces re-shaping the Earth and the discourses arising to describe them. Recently, the geographers Mark Maslin and Simon Lewis have made an important contribution to this discussion. They argue that the beginning of the Anthropocene should be placed in 1492, the year when the colonization of what would become the Americas resulted in the genocide of Indigenous peoples. Maslin and Lewis focus on the ecological outcomes of this period of mass violence and expropriation.

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Spiked by Audra Mitchell. All rights reserved.

Building beyond this,  Zoe Todd and I are initiating a new artistic/performative/collective thought experiment focused on role of violence in the Anthropocene. We will be looking at multiple modes of violence, including the detonation of nuclear weapons and the slow violence of capital accumulation, industrialization and extinction. Each of these phenomena, central to the concept of the Anthropocene, are rooted in the historical/geological moments and trajectories of violence that are colonisation. To this end, we are inaugurating a public ‘Anthropocene Re-working Group’ whose goal is to explore the violences shaping the planet in open-ended, multi-media, multi-disciplinary ways (more on this to follow…)

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Entanglement by Audra Mitchell. All rights reserved.

To begin this project, I wanted to get my hands on some actual spikes to think and feel through the discourse of a ‘golden spike’. Engaging with these spikes allowed me to reflect on their materiality and their potential for violence. Handling them enabled me to sense their  weight and shape, their utility as weapons, the intention of penetration with which they were forged, their appropriative nature, as the stakes through which claims to land and ‘resources’ are made. These particular spikes, salvaged from a defunct stretch of railroad, also evoked the violence of industrialisation, the expropriation of Indigenous lands across North  America and the near-extinction of the American buffalo as a result of hunting from trains. Even their material basis is poignant: it brings to mind and hand the metals torn from soil and stone to fuel the demand for industrial resources and capital speculation.

I composed these images in order to encourage contemplation of the ‘golden spike’ as a central and meaning-multiplying  embodiment of the impulse to mark and bound the Anthropocene. These are my initial responses to the idea of the golden spike and the intention to tell different stories about the violence of the Anthropocene. I hope that this nascent project will encourage and foster the exchange of many alternative stories, images and ideas.

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Death/metal by Audra Mitchell. All rights reserved.

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Planetary Boundaries by Audra Mitchell. All rights reserved.

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Subcommittee by Audra Mitchell. All Rights Reserved.


Posthuman security: reflections

This month’s post comes courtesy of E-IR. It offers some reflections on the discussions related to ‘posthuman security’ that have been brewing over the past couple of years. It is part of a series that also includes contributions from Elke Schwartz, Matt McDonald and (coming soon) Carolin Kaltofen. Thanks to Clara Eroukmanoff and the E-IR editorial team for putting this series together.

This article has also been published on Global Policy Journal’s blog.  

 

Posthuman Security: Reflections from an Open-ended Conversation

 


What goes extinct?

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Photo by Network Osaka. Licensed under Creative Commons 2.o Attribution, Non-commercial, No-Derivs.

This post explores in more depth the inspiration and driving questions behind my new article “Beyond Species and Biodiversity: Problematizing Extinction” just published in Theory, Culture and Society. For a copy of the full article, feel free to contact me: amitchell [at] wlu.ca.

Extinction must be one of the most under-theorized, under-discussed, and under-thought concepts in academic discourses. Although thousands of books and articles have been produced about extinction, it is rare to come across a deep, reflexive account of what extinction is(n’t), what it means, what goes extinct, and what it means to ‘go extinct’. In fact, one of the few statements available regarding the meaning of extinction comes in the form of a definition: “extinction is… the death of every member of a species”. Meanwhile, most mainstream narratives of biodiversity define extinction as the diminishing of resources, which are increasingly framed in financial terms.

Surely extinction is more, or different than this – it involves the irreversible elimination of unique lifeways, but also the creation of vacuums that are filled by new ones. It is a deeply ethical problematic, not only in terms of the ‘bads’ and ‘goods’ that it generates, but also in terms of the chains of dependency and responsibility that emerge between life forms as they emerge, speciate and go extinct. At the same time, its normative valence is complicated: on the one hand, we can point to immense harms that extinction causes to the entangled worlds that sustain earthly life. On the other hand, becoming too attached to these worlds in their existing form can produce a form of ressentiment towards future worlds and life forms. This, in turn, may result in the disavowal of connections to a profoundly plural Earth. Instead, it’s important to focus on the dynamic aspects of being and extinction.

To do that, we need to think more deeply about the idea of  ‘going’ extinct.  Extinction is fundamentally about about transformation, change, (un)becoming and evolutionary movement. It is a process, rather than a punctual moment – for instance, the death of the ‘last member of a species’. As scholars like Genese Sodikoff have eloquently argued, extinction is both a creative and a destructive process. This is not the Schumpeterian ‘creative destruction’ that fuels and smoothens the processes of global capitalism. Rather, it consists in the punctuation and rupture of histories and lifeways through the intrusion of non-being, or the eruption of ‘the void’ into the realm of human-dominated worlding. Indeed, scholars of the non-relational argue that it is crucial to pay attention to absences, excesses and the realm beyond what human thought can capture. Those beings that have ‘gone extinct’ inhabit this space. Some of them (dinosaurs, for instance) haunt and shape human discourses, while others (non)-exist well beyond the borders of human thought, but nonetheless affect the conditions of existence on Earth.

And the subjects of extinction are have not always ‘gone’ at all. In fact, amongst the most prominent subjectivities emerging from the current global extinction crisis is that of ‘humanity’. Contemporary discourses emerging in such different fields as existential risk and the posthumanities argue that ‘humanity’ must face its own extinction, in both figurative and literal terms. Rather than (just) obliterating subjectivity, confrontation with this possibility also produces new understandings of the limitations and transformations of ‘the human’. On the one hand, it might produce resurgent (trans-)humanisms that further entrench these norms and strictures, or accentuate them further, in the attempt to sustain ‘humanity’ at all costs. On the other hand, it may also open up new opportunities for transformation beyond essentializing constructs such as gender and race.

My new article opens up a conversation about the diverse subjects that are produced by extinction, and by dominant responses to the threats it raises. It examines a range of forces – abstraction, abjection, absence and (the lack) of love – that shape and distort these subjectivities. In so doing, it moves far beyond the claim that ‘what goes extinct’ is ‘species’ or ‘biodiversity’, and that the only register to measure this change is that of quantitative loss. Instead, it moves towards a much more pluralistic understanding of what extinction is, does, creates and destroys. It ends by calling for a cosmopolitical ethical-political framework that can help to attune humans to the diverse subjects of extinction and stimulate responsiveness to the various claims they make on us.

The image at the top of this post is from a project by Artist As Citizen – the full set of cards can be downloaded here. 


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