This online mini-exhibition is presented in advance of the initiation of the Anthropocene Re-working Group (with Zoe Todd), which will take place at the Conference “Landbody: Indigeneity’s Radical Commitments” at the Centre for 21st Century Studies, Milwaukee, 5-7 May 2016.
The full text of our presentation is available here: Earth violence text Mitchell and Todd
Since this is a work in progress, please let us know if you would like to reproduce it. For the same reason, all rights are reserved for the use of these images. . Contact me if you’d like to share, reproduce or alter them.
Since the early 2000s, there has been a scramble amongst scientists to define the boundaries of the ‘Anthropocene’. In the rush to mark and claim this era, hundreds of scientists and some social scientists are racing to find a definitive ‘golden spike’. The golden spike is a discursive, imagined, yet very real placetime in which scientists intend to drive a stake, claiming the conversion of the Earth into a human dominion. Most notably, the ‘Anthropocene Working Group’ of the subcommission on Quarternary Stratigraphy is planning this year to announce where/when the spike should be driven. It will choose amongst numerous proposals, including the detonation of the first nuclear weapons, the Industrial revolution, and the beginning of large-scale agriculture.
In so doing, this group of overwhelmingly white, male scholars of the physical sciences, whose meetings are closed to the public, plan to make a claim on behalf of ‘humanity’ over the history, future and fate of the planet.
Critics of the Anthropocene are producing excellent work on the domination of scientific perspectives amongst Anthropocene discourses,on Anthropocentric narratives that magnifies human agency and entrenches the human/nature divide, and the inaccuracies of claims that ‘humans’ as a whole are responsible for the phenomena transforming the Earth. Yet there has been little focus on the role of foundational violence in the Anthropocene and the distinctively colonial violence enacted through the forces re-shaping the Earth and the discourses arising to describe them. Recently, the geographers Mark Maslin and Simon Lewis have made an important contribution to this discussion. They argue that the beginning of the Anthropocene should be placed in 1492, the year when the colonization of what would become the Americas resulted in the genocide of Indigenous peoples. Maslin and Lewis focus on the ecological outcomes of this period of mass violence and expropriation.
Building beyond this, Zoe Todd and I are initiating a new artistic/performative/collective thought experiment focused on role of violence in the Anthropocene. We will be looking at multiple modes of violence, including the detonation of nuclear weapons and the slow violence of capital accumulation, industrialization and extinction. Each of these phenomena, central to the concept of the Anthropocene, are rooted in the historical/geological moments and trajectories of violence that are colonisation. To this end, we are inaugurating a public ‘Anthropocene Re-working Group’ whose goal is to explore the violences shaping the planet in open-ended, multi-media, multi-disciplinary ways (more on this to follow…)
To begin this project, I wanted to get my hands on some actual spikes to think and feel through the discourse of a ‘golden spike’. Engaging with these spikes allowed me to reflect on their materiality and their potential for violence. Handling them enabled me to sense their weight and shape, their utility as weapons, the intention of penetration with which they were forged, their appropriative nature, as the stakes through which claims to land and ‘resources’ are made. These particular spikes, salvaged from a defunct stretch of railroad, also evoked the violence of industrialisation, the expropriation of Indigenous lands across North America and the near-extinction of the American buffalo as a result of hunting from trains. Even their material basis is poignant: it brings to mind and hand the metals torn from soil and stone to fuel the demand for industrial resources and capital speculation.
I composed these images in order to encourage contemplation of the ‘golden spike’ as a central and meaning-multiplying embodiment of the impulse to mark and bound the Anthropocene. These are my initial responses to the idea of the golden spike and the intention to tell different stories about the violence of the Anthropocene. I hope that this nascent project will encourage and foster the exchange of many alternative stories, images and ideas.